September 9 – October 30, 2021
Alexandre Gallery is pleased to present the debut exhibition in their new gallery space at 291 Grand Street of works by Lois Dodd. Spanning her career from the 1950s through today, the exhibition will include approximately thirty paintings evoking the quiet power of nature and beauty found in her surroundings in the Lower East Side, Maine, and the Delaware Water Gap. This exhibition will also celebrate the twentieth anniversary of the gallery’s relationship with Dodd.
Dodd’s intimate paintings are almost always completed in one plein-air sitting, working with urgency to capture a specific time of day. She often returns to familiar motifs repeatedly at different times of the year with dramatically varied results, painting subjects including rambling New England out-buildings, lush summer gardens, dried plants, nocturnal moonlit skies, and views through windows in her Manhattan neighborhood. “Revealing the complexity of apparent simplicity,” Dodd employs color, shape, and angles in unpredictable fashions to transform the ordinary into the extraordinary.
This exhibition includes a selection of Dodd’s canvases of her favorite subjects including architectural details of her home, detailed closeups of flowers in her neighbor’s garden, laundry drying on the line, and the Maine woods across the seasons. Showing glimmers of similarities with the work of Arthur Dove, Georgia O’Keeffe, and her friends Rudy Burckhardt and Alex Katz, Dodd’s work maintains a sparse and almost flat quality, lending the canvases a structured geometry. Her interest in geometry extends into perception, often treating the subject matter of windows as a sort of mise en abyme with the canvas itself. Her works are executed with a unique mastery of composition and style with which she imbues the largesse that exists in the small details of everyday life.
This exhibition is accompanied by an illustrated catalogue with an essay by American activist, feminist, art critic, and curator Lucy R. Lippard.