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Loren MacIver - Poetic Vision - Exhibitions - Alexandre Gallery

Loren MacIver, Porte Bonheur, 1980, oil on canvas, 21 3/4 x 18 inches

The gallery is pleased to present the exhibition Loren MacIver: Poetic Vision, a survey of fourteen paintings and selected drawings from the 1930s to 80s that reveals Loren MacIver’s (American, 1909 – 1998) unique sensibility to observe and capture the poetic spirit of the everyday objects and environments that engaged and inspired her.

From her West Village home and studio on Perry Street to the extended time she spent in Paris in the 1960s, MacIver looked to her everyday surroundings for inspiration. Subjects included subway lights, votive candles, a clawfoot tub in a window, flowers, trees, studio interiors and the landscape. Her style has been described as a lyrical semi-abstraction based on observation and infused with light, softness and mystery – where oil paint is handled with the discretion of pastel and everyday life is transmuted into the emblematic.

On the occasion of her participation in the Museum of Modern Art’s groundbreaking show, Fourteen Americans (1946), MacIver, whose paintings were the first by a woman to enter the museum’s permanent collection, said of her own work:

Quite simple things can lead to discovery. This is what I would like to do with painting: starting with simple things, to lead the eye by various manipulations of colors, objects and tensions toward a transformation and a reward. An ashcan suggests the phoenix; its relics begin a new life, like a tree in spring. Votive lights, flickering and vanishing, become symbols of constancy.

More recently, William Lieberman, the legendary former Curator of Twentieth Century Art at The Metropolitan Museum of Art, which acquired nine paintings by MacIver in 1992, wrote of her work:

In our harsh age of anxiety and despair, the lyric art of Loren MacIver shimmers with enchantment. Her observation distills the spiritual from the ordinary, and she expands the familiar into vivid patterns that constantly surprise. Color is pleasure and often joy. Overstatement is alien to MacIver’s eloquence, and as an artist she fits no convenient category. She shares with us the clarity of her personal vision, and its essentials combine a poet’s eye with a painter’s craft. She discovers magic in simple truth, and we are richer and therefore greatly in her debt.

MacIver’s paintings are included in most major American museum collection including The Metropolitan Museum of Art, The Museum of Modern Art, The Whitney Museum of American Art, The Art Institute of Chicago, The Los Angeles County Museum of Art, among others. From 1940 to 1980, MacIver was represented by the Pierre Matisse Gallery, where she was the only woman and American in that gallery’s stable. In 1962, she represented the United States in the XXXI Venice Biennale. Since her death in 1998, her estate has been represented by Alexandre Fine Art Inc.

Installations

Installations Thumbnails
Photograph showing a corner view of an exhibition space, with six paintings hung on white walls
Photograph showing a corner view of an exhibition space, with six paintings hanging on white walls
Photograph showing a corner view of an exhibition space, with five paintings hung on white walls
Loren MacIver
Photograph showing a corner view of an exhibition space, with three paintings hung on white walls
Photograph showing a front view of an exhibition space, with two paintings hung on white walls
Photograph showing front view of an exhibition space, with wall text and one painting hanging on a white wall above a table and chair
Photograph showing a corner view of an exhibition space, with six paintings hung on white walls
Photograph showing a corner view of an exhibition space, with six paintings hanging on white walls
Photograph showing a corner view of an exhibition space, with five paintings hung on white walls
Loren MacIver
Photograph showing a corner view of an exhibition space, with three paintings hung on white walls
Photograph showing a front view of an exhibition space, with two paintings hung on white walls
Photograph showing front view of an exhibition space, with wall text and one painting hanging on a white wall above a table and chair

Selected Works

Selected Works Thumbnails
Painting of a green flower on a luminous green ground

Porte Bonheur, 1980, oil on canvas, 21 3/4 x 18 inches

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Painting with a fish and pieces of candy floating on an atmospheric surface

Penny Candy, 1939, oil on canvas, 28 x 23 inches

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Abstract, atmospheric painting of a cow's face with flowers around its head

Sacred Calf, 1937, oil on canvas, 12 1/8 x 12 7/8 inches

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Abstract, atmospheric painting of an interior and an open window

Tub in the Window, 1935, oil on canvas, 20 1/4 x 24 1/8 inches

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Abstract painting with bird-like figures, a building, and a moon on an atmospheric, brown and grey ground

Dune Painting (Night), 1937, oil on canvas, 30 x 40 inches

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Painting with abstract organic forms in green and red on an atmospheric blue surface

Votive Lights Red and Blue, 1984, oil on canvas, 18 x 45 1/2 inches

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Painting with white flowers on an atmospheric green surface

Fleurs de marronniers, 1963, oil on canvas, 64 x 51 1/4 inches

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Painting with burgundy orbs on an atmospheric grey surface

Subway Lights, 1980, oil on canvas, 17 3/4 x 24 inches

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Painting with abstract floral forms on an atmospheric surface in red, pink, orange, yellow and blue

Bright Spring, 1980, oil on canvas, 21 1/4 x 32 inches

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Painting with abstract forms and atmospheric washes of pink, red, green, grey and black

Corner of Studio, 1980, oil on canvas, 21 1/4 x 31 5/8 inches

 

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Painting with a window and abstract structural and organic forms in blue, purple, pink, and green

Studio, 1981, oil on canvas, 47 x 49 inches

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Charcoal drawing of atmospheric flower forms

Fraises, Radis, Roses, 1964, charcoal on paper, 29 5/8 x 42 3/8 inches

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Drawing of green flowering plants on a black surface

Lilies of the Valley I, 1955, pastel on paper, 15 3/4 x 19 inches

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Drawing of green flowering plants on a black surface

Lilies of the Valley II, 1955, pastel on paper, 16 x 21 inches

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Geranium, 1957, oil on canvas, 28 x 16 inches

Geranium, 1957, oil on canvas, 28 x 16 inches

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Painting of a grey fish on an atmospheric grey surface

Le Thon (The Tuna), 1968, oil on canvas, 45 x 57 1/2 inches

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Painting with abstract structural forms in blue, grey, and green

Regard Fixe, 1969, oil on canvas, 59 x 26 inches

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Painting of a green flower on a luminous green ground

Porte Bonheur, 1980, oil on canvas, 21 3/4 x 18 inches

Painting with a fish and pieces of candy floating on an atmospheric surface

Penny Candy, 1939, oil on canvas, 28 x 23 inches

Abstract, atmospheric painting of a cow's face with flowers around its head

Sacred Calf, 1937, oil on canvas, 12 1/8 x 12 7/8 inches

Abstract, atmospheric painting of an interior and an open window

Tub in the Window, 1935, oil on canvas, 20 1/4 x 24 1/8 inches

Abstract painting with bird-like figures, a building, and a moon on an atmospheric, brown and grey ground

Dune Painting (Night), 1937, oil on canvas, 30 x 40 inches

Painting with abstract organic forms in green and red on an atmospheric blue surface

Votive Lights Red and Blue, 1984, oil on canvas, 18 x 45 1/2 inches

Painting with white flowers on an atmospheric green surface

Fleurs de marronniers, 1963, oil on canvas, 64 x 51 1/4 inches

Painting with burgundy orbs on an atmospheric grey surface

Subway Lights, 1980, oil on canvas, 17 3/4 x 24 inches

Painting with abstract floral forms on an atmospheric surface in red, pink, orange, yellow and blue

Bright Spring, 1980, oil on canvas, 21 1/4 x 32 inches

Painting with abstract forms and atmospheric washes of pink, red, green, grey and black

Corner of Studio, 1980, oil on canvas, 21 1/4 x 31 5/8 inches

 

Painting with a window and abstract structural and organic forms in blue, purple, pink, and green

Studio, 1981, oil on canvas, 47 x 49 inches

Charcoal drawing of atmospheric flower forms

Fraises, Radis, Roses, 1964, charcoal on paper, 29 5/8 x 42 3/8 inches

Drawing of green flowering plants on a black surface

Lilies of the Valley I, 1955, pastel on paper, 15 3/4 x 19 inches

Drawing of green flowering plants on a black surface

Lilies of the Valley II, 1955, pastel on paper, 16 x 21 inches

Geranium, 1957, oil on canvas, 28 x 16 inches

Geranium, 1957, oil on canvas, 28 x 16 inches

Painting of a grey fish on an atmospheric grey surface

Le Thon (The Tuna), 1968, oil on canvas, 45 x 57 1/2 inches

Painting with abstract structural forms in blue, grey, and green

Regard Fixe, 1969, oil on canvas, 59 x 26 inches