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Neil Welliver -  - Exhibitions - Alexandre Gallery

Neil Welliver, Abandoned Beaver Flowage, 1981, oil on canvas, 96 x 96 inches

Neil Welliver
25 E 73rd Street, 3rd Floor, New York, NY 10021
January 10 – February 28, 2026

Alexandre Gallery is pleased to announce an upcoming exhibition of works by Neil Welliver, building upon the resounding success of Neil Welliver: A Maine Pop-Up, presented July 3 – August 10, 2025, in Rockport, Maine. The New York presentation further underscores Welliver’s enduring relevance within the canon of postwar American landscape painting.

Best known for his vivid landscape paintings and woodcuts, Neil Welliver lived in Maine for more than three decades, settling in the Midcoast region among a close-knit commu- nity of observational and representational artists that included Rudy Burckhardt, Lois Dodd, and Alex Katz. During this prolific period of exchange, Welliver maintained a rigorous teaching career: first at Yale University, where he studied under Josef Albers, and later at the University of Pennsylvania, where he chaired the Graduate Program in Fine Art until 1989.

Deeply attuned to the innate abstraction of the natural world, Welliver frequently carried his painting supplies into remote terrain, working en plein air for hours at a time. In the final decade of his life, his focus expanded beyond his 1,600-acre Lincolnville property to include extended summer retreats to the Allagash. The oil studies he produced by streams and within dense forests were later translated in the studio into monumental canvases, some measuring up to eight feet square.

Among the works highlighted in the New York exhibition are Abandoned Beaver Flowage, 1981, Study for Islands, Allagash, 1990, Burn Over, Allagash, 1996 and Old Avalanche, 1982. The exhibition also includes Birches, an iconic woodcut and among Welliver’s most recog- nizable images, with the related painting of the same title held in the collection of The Metropolitan Museum of Art.

“Welliver’s marks—those sweeps and touches of paint that describe trunks, branches, clouds, water, foam, everything, with disarming rightness, are his signature, one that bears the burden of dual representation, revealing a self in nature, and the nature of a self,” wrote poet Mark Strand in 1997. “It embodies as it describes, generates as it concludes. It is Welliver; it is also Welliver’s woods.”

Alexandre Gallery began representing Neil Welliver during his lifetime in 1998, and continues to represent his estate and widow today.

Selected Works

Selected Works Thumbnails
Untitled (Self Portrait) (II), ink on paper, 10 1/2 x 8 1/2 inches

Untitled (Self Portrait) (II), ink on paper, 10 1/2 x 8 1/2 inches

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Landscape painting of a stream winding through a green meadow

Study For Untitled Stream in Brigg's Meadow, c. 1970-1975, oil on canvas, 20 x 20 inches

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Salt Flat, 1973, oil on canvas, 48 x 48 inches

Salt Flat, 1973, oil on canvas, 48 x 48 inches

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Study for Dense Forest, 1979, oil on canvas, 18 x 18 inches

Study for Dense Forest, 1979, oil on canvas, 18 x 18 inches

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Abandoned Beaver Flowage, 1981, oil on canvas, 96 x 96 inches

Abandoned Beaver Flowage, 1981, oil on canvas, 96 x 96 inches

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Barren, 1981, oil on canvas, 12 x 14 inches

Barren, 1981, oil on canvas, 12 x 14 inches

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Landscape painting of a snowy bank covered in rocks and birch trees

Old Avalanche, 1982, oil on canvas, 36 x 36 inches

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Landscape painting of a grey tree sinking into a body of water

Drowned Tree, 1983, oil on canvas, 48 x 48 inches

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Landscape painting of a stump and piles of grey driftwood on a shore, with trees and mountains in the distance

Neil Welliver, Flotsam Allagash, 1988, oil on canvas, 48 x 48 inches

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Landscape painting of a body of water with grey mountains fading into the distance

Mist - St. John, 1990, oil on canvas, 24 x 24 inches

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Landscape painting of two small islands surrounded by water, with a mountain in the background

Study for Islands Allagash, 1990, oil on canvas, 24 x 24 inches

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Burn Over Allagash, 1996, oil on canvas, 84 x 84 inches

Burn Over Allagash, 1996, oil on canvas, 84 x 84 inches

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Birches, 1982-1983, Woodcut on Kizuki Nishinouchi, 29 1/2 x 30 1/2 inches, Edition of 100

Birches, 1982-1983, Woodcut on Kizuki Nishinouchi, 29 1/2 x 30 1/2 inches, Edition of 100

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Islands Allagash, 1990, woodcut, 31 1/4 x 32 1/2 inches

Islands Allagash, 1990, woodcut, 31 1/4 x 32 1/2 inches

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Etching of a group of trees in winter, with a body of water and mountain behind them, all covered in snow

St. John Winter, 2000, etching and aquatint on Fabriano Tiepolo, 23 x 22 inches

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Stump, 2000, woodcut on Nishinouchi paper, 35 x 34 inches

Stump, 2000, woodcut on Nishinouchi paper, 35 x 34 inches

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An image of a group of trees, with a blue river and mountain in the background

Synthetic Blue--St. John, 2000, Aquatint on Fabriano Tiepolo, 18 x 18 inches

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Image of a group of trees reflected on an icy pond

Trees Reflected on Ice, 2002, aquatint on Rives BFK, 22 1/2 x 23 3/4 inches

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Image of a cluster of birch trees on a snow-covered bank, with a dark mountain in the background

Birches, 2005, aquatint on Rives BFK, 25 x 22 inches

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Untitled (Self Portrait) (II), ink on paper, 10 1/2 x 8 1/2 inches

Untitled (Self Portrait) (II), ink on paper, 10 1/2 x 8 1/2 inches

Landscape painting of a stream winding through a green meadow

Study For Untitled Stream in Brigg's Meadow, c. 1970-1975, oil on canvas, 20 x 20 inches

Salt Flat, 1973, oil on canvas, 48 x 48 inches

Salt Flat, 1973, oil on canvas, 48 x 48 inches

Study for Dense Forest, 1979, oil on canvas, 18 x 18 inches

Study for Dense Forest, 1979, oil on canvas, 18 x 18 inches

Abandoned Beaver Flowage, 1981, oil on canvas, 96 x 96 inches

Abandoned Beaver Flowage, 1981, oil on canvas, 96 x 96 inches

Barren, 1981, oil on canvas, 12 x 14 inches

Barren, 1981, oil on canvas, 12 x 14 inches

Landscape painting of a snowy bank covered in rocks and birch trees

Old Avalanche, 1982, oil on canvas, 36 x 36 inches

Landscape painting of a grey tree sinking into a body of water

Drowned Tree, 1983, oil on canvas, 48 x 48 inches

Landscape painting of a stump and piles of grey driftwood on a shore, with trees and mountains in the distance

Neil Welliver, Flotsam Allagash, 1988, oil on canvas, 48 x 48 inches

Landscape painting of a body of water with grey mountains fading into the distance

Mist - St. John, 1990, oil on canvas, 24 x 24 inches

Landscape painting of two small islands surrounded by water, with a mountain in the background

Study for Islands Allagash, 1990, oil on canvas, 24 x 24 inches

Burn Over Allagash, 1996, oil on canvas, 84 x 84 inches

Burn Over Allagash, 1996, oil on canvas, 84 x 84 inches

Birches, 1982-1983, Woodcut on Kizuki Nishinouchi, 29 1/2 x 30 1/2 inches, Edition of 100

Birches, 1982-1983, Woodcut on Kizuki Nishinouchi, 29 1/2 x 30 1/2 inches, Edition of 100

Islands Allagash, 1990, woodcut, 31 1/4 x 32 1/2 inches

Islands Allagash, 1990, woodcut, 31 1/4 x 32 1/2 inches

Etching of a group of trees in winter, with a body of water and mountain behind them, all covered in snow

St. John Winter, 2000, etching and aquatint on Fabriano Tiepolo, 23 x 22 inches

Stump, 2000, woodcut on Nishinouchi paper, 35 x 34 inches

Stump, 2000, woodcut on Nishinouchi paper, 35 x 34 inches

An image of a group of trees, with a blue river and mountain in the background

Synthetic Blue--St. John, 2000, Aquatint on Fabriano Tiepolo, 18 x 18 inches

Image of a group of trees reflected on an icy pond

Trees Reflected on Ice, 2002, aquatint on Rives BFK, 22 1/2 x 23 3/4 inches

Image of a cluster of birch trees on a snow-covered bank, with a dark mountain in the background

Birches, 2005, aquatint on Rives BFK, 25 x 22 inches